Donato DiStefano
Bass
“Where basses are concerned, the company
could hardly have done better than Donato di Stefano as Dr. Bartolo.
Not only did the words come trippingly off his
native tongue, he embodies all the stage savvy
of a classic basso buffo.”
– The Toronto Star
One of the most sought after buffo basses in the opera world, Donato DiStefano was heard in 2006-2007 in Dallas as Dr. Bartolo in Il barbiere di Siviglia, with the Florida Grand Opera as Geronte in Manon Lescaut, in Tel Aviv as Gianni Schicchi, and made his Metropolitan Opera debut as Simone in Gianni Schicchi. Future seasons bring him to L’Ópera de Montreal for his house debut as Rossini’s Bartolo, to the Teatro Regio in Torino and the Dallas Opera as Don Pasquale, to Frankfurt as Gianni Schicchi, to Amsterdam and Toronto as Bartolo in Le nozze di Figaro, to New York for a revival of Gianni Schicchi at the Metropolitan, to the Washington National Opera as Bartolo in Il Barbiere di Siviglia and to Seattle Opera for his house debut as Don Magnifico.
In the 2005-2006 season Mr. DeStefano was Don Magnifico in La Cenerentola at the Dallas Opera and the Michigan Opera Theatre, was in Amsterdam and Tokyo, under the baton of Seiji Ozawa, as Bartolo in Il barbiere di Seviglia, and was Don Magnifico in Trieste. In 2004-05 he appeared as Fra Melitone in La Forza del Destino at the Frankfurt Opera, Bartolo in Il barbiere di Siviglia in Amsterdam, Don Magnifico in Milwaukee, and Bartolo in Le nozze di Figaro in Florence.
In recent seasons Mr. DiStefano has been heard as Simone in Gianni Schicchi at the Opéra National de Paris and in Tokyo, as Bartolo in Il barbiere di Seviglia in Zürich, Frankfurt and the Staatsoper unter den Linden in Berlin, Don Magnifico in Brussels, Madrid, Tel Aviv, and Tokyo, Dulcamara in L’elisir d’amore on a tour with the New Israeli Opera in Tel Aviv and at the Scottish Opera, Bartolo in Le nozze di Figaro at La Fenice in Venice, in Cardiff, Madrid, and Florence, and was Don Pasquale in Miami and Detroit. Mr. DiStefano made his debut as Falstaff at the Saito Kinen Festival of 2003, under the baton of Seiji Ozawa.
Since his 1989 debut in Rome as Zaccaria in Nabucco, Donato DiStefano has worked with such prominent conductors as Salvatore Accardo, Bruno Campanella, Riccardo Chailly, Gianandrea Gavazzeni, Nikolaus Harnoncourt, Zubin Mehta and Riccardo Muti, as well as stage directors Luc Bondy, Ferruccio Soleri and Bob Wilson. In his native Italy, he has performed regularly at the Teatro alla Scala, the Teatro Comunale di Firenze, the Teatro Comunale di Bologna, the Teatro dell’Opera di Roma , the Teatro San Carlo di Napoli, the Teatro Bellini di Catania, the Teatro Massimo di Palermo, the Teatro Regio di Parma, the Teatro La Fenice di Venezia, the Rossini Opera Festival of Pesaro, and the Festival dei Due Mondi of Spoleto, His international operatic credits include performances in the principal theaters of Bilao, Monte Carlo, Valencia, Toronto, Lille, Tenerife, at the Salzburg Festival, and the Swiss Radio Orchestra in Lugano.
Mr. DiStefano’s repertoire also includes Norma (Oroveso), Die Zauberflöte (Sarastro), La Bohème (Colline), La serva padrona (Uberto), Il turco in Italia (Selim), L’italiana in Algeri (Mustafà), I quattro rusteghi (Lunardo), Le Comte Ory (Tuteur), and Linda di Chamounix (Prefetto).
Some significant performances DiStefano have included the protagonist in the world première of Hanjo by Marcello Panni produced by Bob Wilson at the Maggio Musicale Fiorentino, Bartolo in Le nozze di Figaro in Salzburg conducted by Nicolaus Harnoncourt and staged by Luc Bondy, Simone in Gianni Schicchi at the Teatro alla Scala, Mustafà in L’italiana in Algeri at the Rossini Opera Festival and at the Deutsche Oper of Berlin, Uberto in La serva padrona at the Théâtre la Monnaie in Brussels conducted by Sigiswald Kuijken, Il turco in Italia at the Teatro alla Scala under Riccardo Chailly, Dulcamara in L’elisir d’amore at the New Israeli Opera and the Teatro Comunale di Firenze.
Donato Di Stefano’s discography includes two recordings of La serva padrona, with La Petite Bande conducted by Sigiswald Kuijken for Accent Live, and one under Gustav Kuhn for Ricordi-Bmg. A broadcast production of the same title for RAI International is slated for release on DVD. He can also be heard as Bartolo in Le nozze di Figaro on Naxos, La traviata with Zubin Mehta on Philips, Rendine’s Un segreto di importanza for Ricordi, Linda di Chamounix on Frequenz and Soliva’s Giulio e Sesto Pompeo for the Radio Svizzera Italiana label.
Donato Di Stefano was nominated for «Dora Mavor Moore Award» in 1998-99 For Oustanding Perfomance by a Male in a Principal Role-Musical) for his performances as Don Bartolo in Il barbiere di Siviglia at the Canadian Opera in Toronto.
Donato Di Stefano is the winner of various international vocal competitions including the « Giuseppe Verdi » Competition in Parma, the As.Li.Co. in Milan and the « Mario del Monaco » in Castelfranco Veneto.
